Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Morten Muller
Innsjo med robst og mennesker.

ID: 74030

Morten Muller Innsjo med robst og mennesker.
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Morten Muller Innsjo med robst og mennesker.


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Morten Muller

(13 February 1828 - 10 February 1911) was a Norwegian landscape painter. Morten Muller was born in Holmestrand, in Vestfold County, Norway. Morten Miller began his art studies with Adolph Tidemand and Hans Gude in Desseldorf, Germany from 1847 to 1848. From 1850 he was again a student at the Art Academy in Desseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850-51, Muller painted with the Swedish landscape painter Marcus Larson in Stockholm. From 1866 to 1873, Morten Muller lived in Oslo, where he taught together with Knud Bergslien, first at the art school operated by Johan Fredrik Eckersberg. Later he continued working with Knud Bergslien at the Bergslien school of Art. From 1875, when Muller returned to Desseldorf, where he lived the rest of his life. Among his landscape motifs are fjords and pine forests. He is represented with several works in the National Gallery of Norway. In 1875, Morten Muller was appointed as a painter to the Swedish Royal Court. He was knighted into the Order of Vasa in 1869 and in 1874 became an honorary member of the Royal Swedish Academy of Arts in Stockholm.  Related Paintings of Morten Muller :. | Immaculate Conception and Six Saints | Moonlight, Wolf | Head of a young Woman (mk39) | Orchard with Peach Trees in Blossom (nn04) | Love |
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English Pre-Raphaelite Painter, 1849-1917
Jakob Bjock
Jakob Björck (1726 - 1793, Stockholm ) was a Swedish portrait painter. He was a student of the pastellist Gustaf Lundberg.
Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.






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